Her hand is on her hip as she looks tauntingly at the viewer, and leaves the viewer wondering why exactly she is depicted in such a way (Kincaid 275). In one photograph, Alice can be seen centered among what appears to be shrubbery, with unidentifiable white drapery falls off of her shoulder to reveal her left nipple (Carroll 280). Using evidence from his journals, poetry, and mainly his Alice texts and photographs, it can be argued that for Carroll, innocence was temptation, and they were the same thing, after all.Īlthough it is not clear whether his purpose was to sexualize Alice in the photos he took of her, Lewis Carroll does so in a somewhat blatant manner. The scene in which Alice’s body is stretched and she encounters a pigeon begs the question of whether Alice is a little girl or a serpent, whether she is innocence or temptation, or if they are the “same thing after all” (Schanoes). This misconception cannot be maintained at a closer glance, because upon examining certain scenes and motifs in the Alice texts, it is clear that Alice Liddell’s written counterpart is every bit as eroticized as her photographic form. At first glance, it can seem as if Carroll’s different mediums convey in him dual personalities and objectives, even in terms of a single muse Alice’s stories are whimsical and playful accounts of a young “maiden” adventures, while the photographs of her are often seen as eroticized images depicting a vulnerable child in sometimes downright compromising positions, with the purpose of serving a perverse male gaze.

His photography, however, (which is often under his real name, Charles Lutwidge Dodgson) while technically and aesthetically masterful, is more criticized and certainly less widely appreciated than his writing. Although there is much controversy surrounding Lewis Carroll’s relationships with and feelings towards little girls, it is a simple fact that his works “Alice’s Adventures in Wonderland” and “Through The Looking-Glass and What Alice Found There” have been widely revered for their comedic and imaginative natures.

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